Image filenames for this batch carry real capture timestamps, letting these 11 pieces be grouped by the day they were photographed. This is a photography date, not a claim about when each piece was made from clay or fired.
June 16, 2026
2250 · 2251 · 2252 · 2253 · 2254 · 2255
Four of these pieces (2250–2253) have their base number hand-painted in dark pigment; the last two of the session (2254–2255) have it incised into the clay. The switch in marking style happens between 2253 and 2254 — in the middle of this session, not at the date boundary.
June 22, 2026
2256 · 2257 · 2258 · 2259 · 2260
All five of these pieces have their base number incised into the clay, continuing the style the June 16 session ended on. No visual difference (glaze, form, or speckling style) cleanly tracks the date split itself.
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